公開講座:《與威廉・科西的舞蹈對談》

威廉・科西活躍編舞界逾45載，擅長將傳統古典芭蕾重塑成充滿活力的21世紀藝術形式。他專注研究舞蹈的基本原則，除編舞及演出外亦涉獵裝置、錄像及結合數碼科技創作。今年7月，他的大型互動藝術裝置《無處又遍處（二）》將於西九文化區舉行亞洲首展。作為本學院的名譽博士，我們很榮幸邀請他為學院分享該展覽的創作理念及對舞蹈紀錄、研究與教育的編舞方向。

講者：
威廉・科西教授，國際著名編舞，香港演藝學院榮譽博士

主持人：
陳頌瑛教授，香港演藝學院舞蹈學院院長

威廉・科西教授簡介
William Forsythe has been active in the field of choreography for over 45 years. His work is acknowledged for reorienting the practice of ballet from its identification with classical repertoire to a dynamic 21st century art form. Forsythe's deep interest in the fundamental principles of organization has led him to produce a wide range of projects including installations, films, and web-based knowledge creation.

Raised in New York, Forsythe danced with the Joffrey Ballet and later the Stuttgart Ballet, where he was appointed Resident Choreographer in 1976. In 1984, he began a 20-year tenure as director of the Ballet Frankfurt, after which he founded and directed The Forsythe Company from 2005 to 2015.

Awards received by Forsythe and his ensembles include the New York Dance and Performance “Bessie” Award (1988, 1998, 2004, 2007) and London’s Laurence Olivier Award (1992, 1999, 2009). Forsythe has been conveyed the title of Commandeur des Arts et Lettres (1999) by the government of France and has received the Golden Lion of the Venice Biennale (2010), to name a few. In 2002 and 2003, he was the inaugural dance mentor in the Rolex Mentor and Protégé Arts Initiative, working with dancer and choreographer Sang Jijia of China.

Forsythe has developed new approaches to dance documentation, research, and education. His 1994 computer application “Improvisation Technologies: A Tool for the Analytical Dance Eye”, developed with the ZKM / Zentrum für Kunst und Medientechnologie Karlsruhe, is used as a teaching tool by professional companies, dance conservatories, universities, postgraduate architecture programs, and secondary schools worldwide. 2009 marked the launch of “Synchronous Objects for One Flat Thing”, a digital online score developed with The Ohio State University that reveals the organizational principles of the choreography and demonstrates their possible application within other disciplines.

Forsythe is a current Professor of Dance and Artistic Advisor for the Choreographic Institute at the University of Southern California Glorya Kaufman School of Dance.

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